The more the bicycle becomes one object the better,” he explained. ![]() “The problem with bicycles is that they are not integrated they are a host of different parts, and you can’t start branding many objects. As Skibsted pointed out, it was not merely design, but an entire branding vision that made it culturally important. One successful instant icon they have developed is the Puma Bicycle, which can be found in the collections of the world’s leading museums. What you want to do is look at your portfolio and see if you need that kind of product or not.” “Instant Icons are things you do not always want to do because while they will have a lot of cultural impact, they might not be a commercial success. Rather the partners see themselves as a strategic design studio, somewhat like a consulting firm. Skibsted was also quick to point out that KiBiSi does not aspire to be an icon-generating machine. But the idea of having this very small thing, the idea that you would have your private space among people in public had a newness.” The Walkman to me was also an instant icon it did not look highly distinguishable playing a tape was not totally surprising. Skibsted cited the examples of the Polaroid camera and the Walkman, and explained: “The Polaroid was an instant icon because it looked like an old camera but the idea of developing photos instantly was a totally new idea. Tracks Leather headphone (under development for Aiaiai) “Another idea we have is that every company should have an ‘instant icon’ – a product that gains the status of being a cultural icon, not by aesthetics, but by the newness of its idea.” “A strong product must have strong idea,” Skibsted said. KiBiSi is also interested in pushing design, which they feel “looks dominated”, towards the conceptual. The great thing about such type of architecture is that it inherently has a vision built right into it so you can lend that vision to design.” With regard to making an icon, you really need to have that vision there. One way industrial design can move forward, Skibsted suggested, is by exploring the intrinsic values it shares with architecture: “With the Shanghay chair, you see how design fed off an architectural vision. IFlash One bicycle light (produced by iFlash) A lot of things have happened to art, music and architecture, but design is still a very immature creative discipline and you expect it to develop.” It was not like people didn’t make chairs before that, but chairs were not made by designers. “But for industrial design,” he continued, “there is a very clear time in the mid-1800s in England where the first design agency emerged. “Architecture has a much longer history if you say, when was music invented, when was painting invented, when did we start building housing, these things are prehistoric, you cannot find a time to pinpoint it.” “ design is very new phenomenon in human history,” Skibsted reflected. ![]() Beyond the conceptual, what does the exercise of developing a bench from a building, and a chair from a bench teach us? And why is it important that we start doing that? ![]() Conceptualised as a single segment of the 264-metre-long social bench that orbits the Danish Pavilion at the Shanghai Expo 2010, Shanghay epitomises how architecture, public furniture and industrial design can merge. The Shanghay chair, Skibsted pointed out, is representative of this vision. Whether designing a item of personal electronics or an aircraft, they are interested in the special connection between the production sensibility of industrial design and the big ideas and holistic perspective of architecture.īench in the Danish Pavilion (by BIG) at Shanghai Expo 2010 Skibsted explains that KiBiSi is primarily an ideas-driven design group, and that what sets them apart is their cross-disciplinary focus. Theirs is a compelling methodology too by drawing from each of the founders’ expertise, KiBiSi explores the symbiotic hybrid of design, architecture and ideation.ĭuring the recent Business of Design Week, Skibsted and Larsen were in Hong Kong to talk about their evolutionary approach to design. Its founders, industrial designer Lars Larsen (formerly of Kilo Design), architect Bjarke Ingels (of BIG) and design philosopher Jens Martin Skibsted (of Biomega and Skibsted Ideation) are each key players in their respective creative fields. However you look at it, KiBiSi seems set to be a design powerhouse.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |